REGALE

i used to dream in the dark of palisades park

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spiral

silph
SIR
twenty-nine
august 12th
saffron
oppressive
silph co. ceo
council member
POWER IS TAKEN, NEVER GIVEN—SO TAKE WHAT YOU ARE OWED
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FERNANDO SILPH
REGALE
POSTED ON Nov 21, 2018 7:42:39 GMT
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TO THE VICTOR THE SPOILS.

fernando does not stop at , , and especially not . he will take from him everything nikolai owes. to dare cross the silph heir means to forfeit his estate. in victory road, fernando had tampered with his memories, reading his life as a brief albeit weighty summary of his life's adventures. there isn't the chance to dig into the details but lorelei does not go unnoticed. nikolai had taken from him his most worldly possessions. it's only fair that he does the same.

it isn't easy finding her, he only has a few memories to go off. he knows what she looks like from the few scenes between them. they're all from nikolai's perspective and from that fernando's given a name. lorelei ackerman. every name that's passed between them is recorded. fernando is punctilious. each person is an unknown variable, a possible enemy in the future, someone who needs to be taken out. there will be no surprises. the advantage is his. after all, knowledge is power.

government records, census data, school rosters, anything that contains her name is scoured through. thumbing through public records isn't anything too difficult, just tedious. porygon lifts the heavy weight of this operation, able to navigate the data as it does the air. silph co. breaths big data. their data warehouse puts bill to shame; fernando owns a primitive version of brother eye. that's what allows him to find her. the cryptic message that comes after invites her out to somewhere nice, a place that seems undeserving for a stranger after the events of slateport. fernando goes all out for her last supper. it's only fair.

chama noodlina is the premiere steakhouse in lilycove. reservations are sparse and the price tag is steeper than a month's rent for the luxury condos that surround it. the uptown district radiates opulence. the restaurant itself is pure marble. each table shines brighter than the future. each waiter is dressed immaculately, uniform, poised to serve the shanks of rare cooked taurus to each table individually. their table is in private, away from those that refuse to collapse on their principles for lucre. fernando awaits, eager, fiddling with a glass of red wine between his fingers. it almost smells as sweet as victory.

almost.

victory is absolute and rides on the waves of preparation. this encounter is just another card, played out but far from revealing his hand. the stillness of the room betrays the impression of their solidarity. red velvet curtains keep away any voyeurs. there will be no interference.


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freiheit

lorelei
she / her
thirty-two
mercenary
grunt
0 height
0 height
my breath is set. i live with no regret. i am sworn to kill, never to forget.
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LORELEI ACKERMANN
REGALE
POSTED ON Nov 21, 2018 18:34:03 GMT
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If asked, she would claim she accepted only on the basis of a meal free of charge.

Crime, as the old saying goes, does not pay, after all, her dog's work for humanity's personified filth hardly keeping her belly full and her head shielded from the rain. A burger – no strings attached – would be a welcome gift, loathe as she is been to admit it. Dinner at one of Hoenn's most esteemed restaurants, which wasn't to say anything of the ludicrous price tag it came with is something that a beggar wouldn't dare to ask for. That she's being offered it now, so suddenly, without preamble or explanation is like something out of a dream (or, at the very least, a very poorly constructed romance film plot).

It is precisely because it's like something out of a dream, however, that she does not trust it for a single moment. Strange men offering wining and dining at the Chama Noodlina without so much as a “why” screams of fraud, the only missing nail in the coffin that he failed to pry for further information in his extended invitation. Bank name, home address, credit card numbers. The fact that he has managed to get into contact with her at all is something of a mystery. There are simply too many hoops for a simple scammer to bother trying to jump through when the elderly could be swindled for more with far less effort; she's been singled out, no doubt, but for what purpose, Lorelei can't begin to fathom. Because she's Rocket? Perhaps – but unlikely. There are far more influential poster children to make a bloody symbol out of, even if she, herself is no stranger to innocent blood on her hands. Because of her attachment to Nikolai? A better bet, but a shaky one at best. Only fellow members of Rocket know about that attachment at all, and certainly not the full extent of her devotion. No one has seemed bothered by it enough to do anything about it so far. By now, she's assumed the prime time to take any method of revenge has already passed.

That means that the only way to know for certain is to take the bait. Call it overconfidence – call it nonchalance toward death – but she does not fear.

The woman is clearly under-dressed, sporting not even the most lavish articles of clothing in her closet when taking her first steps into a building that had no business being carved entirely out of high priced stone. Even attempting to “dress to the nines” would have made her look out of place, she supposes. Simply thinking about the bill at the end of a night here would reduce any lower man's brain to mush. She's grateful, at least, that the waiter is swift to stifle the look of appall that crosses his features, and even swifter to lead her through a tangle of dazzling décor and Lilycove's richest at the mere mention of the name on their reservation. Red velvet curtains and all greet her at her destination: but to a man named “Silph”, this entire debacle must be little more than pocket change.

Mr. Silph.” It's not a question. There is no doubt of who sits before her now, teasing a glass of what looks to be wine. No, no, the doubt lies in everything else regarding this meal-out-of-the-blue. Lorelei doesn't like to waste time. She hasn't even sat down when she asks (demands), “Care to explain?


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spiral

silph
SIR
twenty-nine
august 12th
saffron
oppressive
silph co. ceo
council member
POWER IS TAKEN, NEVER GIVEN—SO TAKE WHAT YOU ARE OWED
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FERNANDO SILPH
REGALE
POSTED ON Nov 21, 2018 20:30:54 GMT
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how pompous. is this the type of women that nikolai keeps in his company? the contrast is as apparent as her shoddy attire. is the superior retainer and for that he's grateful. as for lorelei? impudence is rewarded with condescension. the smugness of his smirk is only matched by the aroma of freshly cooked meat. "chama noodila serves the finest hoenn has to offer in select cut meats. their tauros steaks are absolutely exquisite. they exclusively feed them enigma poffins to make sure the meat is finely marbled through each cut." he extends a hand toward her seat, gesturing her to enjoy the rare occasion.

"waiters will come out with different cuts on a skewer. they'll offer you whatever type they're serving as well as how you like it cooked. they'll slice you a piece that you'll put it on your plate with the tongs on your right." the table is decorated just as he describes. a large porcelain plate sits centered toward her seat. to the right is silverware wrapped up in a warm, steamed, linen napkin. two green cards sit at the center of the table, dotted with an insignia of the restaurants branding.  "flip the little card over when you're done and they'll stop serving until you flip it back over. it's all you can eat, so do help yourself."


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played by

freiheit

lorelei
she / her
thirty-two
mercenary
grunt
0 height
0 height
my breath is set. i live with no regret. i am sworn to kill, never to forget.
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27 posts
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TAG WITH @lorelei
LORELEI ACKERMANN
REGALE
POSTED ON Nov 22, 2018 2:23:21 GMT
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He explains. Quite thoroughly, in fact. Just not what Lorelei wants to hear.

It's hard to tell if he's simply skirting the obvious, biding his time before playing his cards behind a metaphorical wall of tauros meat and a literal one of velvet, or if he'd really believed that this was what she had meant. For as fond as she was of placing “big words” in her vernacular and weaving together sentences she believed to sound eloquent (modeled after a character she'd admired in her youth, unstoppable, powerful, vile, and every bit the villain), the Rocket was laughably terrible at reading a face or the intentions locked away behind it. Unsure of whether to immediately press her point or not, though, she finally takes her seat, icy stare never flickering away from his face as she settles neatly into place.

The explanation, fortunately, is not without its merits. She certainly wouldn't have understood at least the bit about flipping over her card.

Did you memorize the information pamphlet ahead of time just for me?” More likely, this wasn't his first time dining here, alone or in the company of someone else. Still, Lorelei is frustrated, and she'll deadpan barbs as long as she'd like until the sting of it goes away – or until Mr. Silph decides to open his mouth to say something worthwhile. Whichever comes first. “I do wish I could say I was impressed.


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played by

spiral

silph
SIR
twenty-nine
august 12th
saffron
oppressive
silph co. ceo
council member
POWER IS TAKEN, NEVER GIVEN—SO TAKE WHAT YOU ARE OWED
awards
8,735 posts
part of
TAG WITH @silph
FERNANDO SILPH
REGALE
POSTED ON Nov 22, 2018 2:36:10 GMT
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much better. fernando prefers the civilized route and motions for them to start the service. "i try to bring all my guest here at least once," he answer nonchalantly. one by one, they all come. they form an even line, measuring each step to the point its a show inside of itself. all this just to appease two people, biologically no different than themselves, and their whet appetites.

"wait until you taste it." that's the last word between them before the first server interjects. several large, seared chunks of meats hang from a single blade. the crux of the blade rest upon a silver bowl, a pool of the meats juices collecting dead center. the waiter sets the plate against the table, using his now free hand to hold the skewer in place as he slices into the meat with a large, ornate knife.

"madam, bottom sirloin?"