a. z. fell
She/Her
30
December 21st
Fortree, Hoenn
Bisexual
Surviving
Civillian
i'm just a demon who goes along with hell as far as she can.
[attr="class","samcam"] She lowers one shoulder in an apologetic shrug, because she doesn’t watch the news. It’s Hoenn. She’ll fucking figure it out, eventually, when she goes out one day and there’s a giant crater where the Kwik-E-Mart used to be.
Her ears almost visibly perk at the words paradox pokemon. “Ooooh. Hell yes.” Her left arm stretches out, almost without her realizing it, the delicate servos and connections whirring and clicking slightly. She takes the blue sphere from Freya with a touch of reverence, face breaking into a wide grin. She almost doesn’t hear the next part.
“What? Oh, that’s lame. Why?” And before Freya can answer, she holds out a hand. “Lemme guess. He doesn’t want to enable your destructive tendencies, or some bullshit like that.” She rolls her eyes. “God, I’m so glad I can only remember the last six months of my life. I got you. Step into my office.” A beat. “Well, this was my office. Step into my other office.”
She pushes past Freya and leads her back down the hallway and into the garage with crisp steps in her socks, sliding into athletic slides at the back door. A sharp cry of “BANANA PHONE!” summons a Rotom from the depths of… wherever Rotoms go. “Can you open the-- thanks, babe.”
A soft blue glow sluices through a black electrical cord pinned to the wall, electricity leeching into an old garage door keypad that, at first glance, looks dead. The sudden shock of juice depresses a series of buttons. At the back of the garage, a heavy rack of tools and parts shifts to the side on a simple wheeled track, covered by what is shown to be a false toolbox bottom, revealing a set of stairs.
“They call this a Fortree basement,” she explains, as her Rotom zips back over her shoulder and cranks up the brightness. “Come on in.”
The space below her garage really is just a basement; it’s large and dark, at first, but she tugs on a pull that brings lights to life down the length of it.
There are shelves stuffed full of more random-appearing machine parts, gears and coils of wire and components known only to the technical eye; there’s a dentist’s chair in the far side of the room, in front of a bunch of dark computer monitors; it’s crisp, and it smells like cold concrete, and metal, and oil. The skeletal form of what looks like tendons in a human leg, but made out of metal, sits protected in a glass case; but perhaps the strangest parts are the jars of organs, human organs, floating in clear liquid and labeled with tape and sharpie: M. Peckles, lung cancer; K. Mehra, kidney failure; C. Herman, adrenal cancer; S. Alves, hysterectomy, and others; and eyes, so many eyes. Parts of various organs, too, singled out and labeled: lenses and sclera and hepatic ligaments and heart valves, tendons and muscle groups, swathes of skin, bundles of nerves, tongues and larynxes and vertebra.
“Before you get freaked out, I am not a serial killer. Most of it is donated from medical cadavers, or from, essentially, private clients.” She reaches out and taps a finger on the cancer-stricken lungs. “These were my grandmother’s. The facial swatch over there is from a girl who was disfigured when Galar was attacked. I’m trying to make her an intuitive, expressive face. Someone else is funding me to make them a new renal system. I’m just… not really a doctor, so a lot of it is… fudged. A lot of it is... for myself. Eventually.” She grimaces. “Please don’t hate me.”
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