[attr="class","text"]
a punishment it was. [break][break]
not a pleasant one, mind. thankfully, it looked as though the wardens were true to their word - although her accursed curiosity bites at her, asking what the harsher option was. twisted curiosity should be a sin - one that she'll drink regardless of its label. she, like many others, are brought down to the same hellhole. the same hellhole could make anyone vomit from the putrid stench. [break][break]
then she's met with blood and guts and gore. [break][break]
it doesn't bother her, unlike some of the other prisoners here. it's now where she can properly see the stature of the other prisoners - namely being able to recognize
Eris Halla immediately. it's not the blood nor the flesh nor the rot and spoil that makes her stomach turn - it's the fact that these people are ruthless enough to drag
children into their idea of repentance. it's watching a child take another familiar man,
Isaac Merlo , over her shoulders to carry him.[break][break]
the second one she recognizes is the voice of
Cillian Quinn ; distant to the past, in a time in her rocket days, but a voice that instinctively brings a shiver up her spine regardless. she's only grateful that she's changed too much to no longer be recognized (
but the voice that followed the stinging residue of a gunshot to the leg still lingers; she hasn't forgotten). [break][break]
the third is
howard slayte - as he's pulled down into the slop and curses the demons that put them there. she recognizes a last one;
illeana reyes . a friend, and someone she genuinely didn't think she'd see in this hell. the screams, the yelling, it all blends together: and marisol can't bring herself to lift finger to do more than what she's supposed to do as friends are tied to the ground, and expected to clean. [break][break]
what are you doing, marisol?[break][break]
the mask is suffocating, her body is heavy. now, her heart is numb and the adrenaline, she knows, will run out. though the chains coil around her body like thorns and the stench threatens to rot her lungs, she takes a deep breath of the rotting pastries and blood and much in the dirt. it's disgusting. it reminds her of the lab, of the hospital, of father--[break][break]
of home. [break][break]
she watches as people break, or are pushed one by one. a beast is released on the floor, foul as it rushes to the closest prisoner. screams follow as people run to get to work. screams follow as those in the DUMMY ward are chained to the ground. the masked nurse, with all her disillusioned
"freedom" moves closer towards
illeana reyes and
howard slayte , seeming to be someone only trying to help their ward with the work. [break][break]
"illie?" she asks, just to confirm; the white hair is unmistakable. she and marisol have been on enough outings and enough escapades to not recognize her voice. when the beast's footsteps echo in the halls, she's quick to drop closer to the ground. she's swift with her hands as she begins to gather the gunk that surrounds the woman chained to the ground.[break][break]
she's used to this, after all. marisol is quick with her hands and quick with her feet when she can pick up pieces of mush with bare hands, carrying them against her stomach. the sights don't scare her, nor does the texture. [break][break]
just like childhood. [break][break]
all while she tries to avoid the gaze of the monster; she's trying to do her own share, as well. two seemed to be busy distracting the beast, one is only still recovering from surgery, and one is her friend, chained to the ground in filth. the ones who can't move will be the first targets, so it's risky to stand by the ones that hit the ground. [break][break]
she knows. [break][break]
but the better part of her, who stares at a child, a patient, and a friend, can't stomach the thought of self-preservation. [break][break]
how
hypocritical.