Lisa Bortiforte
She/Her
31
August 30
Camphrier Town, Kalos
Bi/Heteroromantic
Bioterrorist
Underboss
Bury me in the roses and rot; I'll come back thorned.
TAG WITH @elisabeth
Elisabeth Fiorelli
HOENN BOOK CLUB
POSTED ON Aug 23, 2023 21:37:36 GMT
PETALS ON THE FLOOR
HEATED
characters Elisabeth Fiorelli: Rocket's newest admin of intelligence. A black widow from Kalos who suffered an abusive marriage. Deeply distrusting and insecure about men. Runs a flower shop as a front for black market poisons.
BARNABY FINCH: A Rocket higher up who lives two lives: that of 'Bee' in Rocket, and BARNABY FINCH of HNN: charismatic journalist and TV personality. Elisabeth is friends with the former and enemies with the latter.
context A newly promoted Elisabeth is coping with the discovery that the first person (FERNANDO SILPH) she's allowed herself to become intimate with after murdering her abusive husband was a dangerous man who used his Avatarship to manipulate and brainwash others. The events of the Darkest Day reveal to her the depth of the animosity her organization has towards him.
Loathing herself for being unable to see liars for what they are, and for always falling into the same patterns of behavior, an unhappy Elisabeth is interrupted by the arrival of 'Bee' -- a Rocket higher up she has attempted to avoid getting too close to, for fear of what feelings might spark there. Elisa remains unaware of the fact that Bee is the very same person as BARNABY FINCH, a reporter she despises due to his Kalosian background and her own bad experiences with the press in her home region.
Like Elisa, BARNABY FINCH has his own demons from the Darkest Day. He is haunted by the fear of losing those close to him, and is uncomfortable with the feelings the event invokes in him. In typical Barnaby fashion, he chooses to find a fitting distraction from these feelings, and decides that Elisa is a perfect vehicle to chase those thoughts away. He pushes her and pushes her until she snaps, and when she does, the unexpected happens.
What ensues is a watershed moment where both characters are pushed to their breaking point, and in the catharsis, emerge closer than either ever expected to become to one another.
theme Elisabeth is a deeply repressed character at her core. She bottles all her shame and trauma and bitterness, hiding behind a prim and seemingly aloof demeanor in Rocket. Beneath it is a deeply vulnerable person who is desperately afraid of getting hurt, and who sabotages herself over and over out of a misguided attempt to protect herself from pursuing any happiness that might leave her vulnerable.
Barnaby takes multiple opportunities to push her to anger, using things she'd told him in confidence to needle and upset her enough to get her to indulge in the passion of the moment. He wants to manipulate her into succumbing to her worst instincts and to sleep with him. Doing this, however, doesn't have the result he expects -- in either himself or in her.
Both are lying to one another, and this thread exposes how much each of them has been pretending.
Elisa's anger here is pained, raw, and highly reactive to her own trauma. She views Barnaby from the lens that her own past has forced her to see men, and when she finds out the truth of his identity, that anger heightens all the more, resulting in her slapping and screaming at him as she dissolves into self-loathing. She hates herself for always wanting to believe liars, for always wanting to believe that this time she is safe from being hurt.
But anger can bring about honesty. And through their mutual outbursts, they emerge with an understanding neither had of the other before; lies are erased, replaced with secrets they confide in one another.
rambles I think, while there are many threads I've had showcasing Elisa's anger, this is the one that best encapsulates that her anger is always born from pain -- and therefore always leaves her vulnerable.
In the "Snail Era," you can see these parts of Elisa are still there, just hiding behind an exterior of indignation. She is angry all the time, because she is pained all the time. Her villainy is a direct result of her being unable to process her own trauma, so she takes it out on others, instead.
I adore this thread so much, self-indulgent as it is. It was a wild ride start to finish. Dove did such a wonderful job of pushing Elisa's buttons, and I was honored to get the opportunity to explore Barnaby's own selfishness, hurt, and trauma in the thread.
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