Lisa Bortiforte
She/Her
31
August 30
Camphrier Town, Kalos
Bi/Heteroromantic
Bioterrorist
Underboss
Bury me in the roses and rot; I'll come back thorned.
TAG WITH @elisabeth
Elisabeth Fiorelli
COMMUNAL CURRY #5
POSTED ON Jan 31, 2023 19:03:35 GMT
WOLVES [MASQUE] [break] thread summary: Zev Harcourt asks Elisabeth Fiorelli to dance at the Winter Masquerade, mostly as a way to kill time as he awaits the arrival of his true date, Neffatari Nzingha. The Rocket Beast recognizes Elisabeth for the Rocket admin that she is, but Elisabeth fails to recognize him in return, leading to an unusual encounter between the two that reveals a side of Elisabeth she'd never shown to Zev prior.[break]
why is it important?: Gunsmile and I have written together for years, and it's always a pleasure seeing the ways our character dynamics unfold. Zev and Elisabeth are two people who, on the surface, have a lot in common: they are seemingly cold, indifferent, and aloof members of Rocket who are willing to get their hands dirty, and appear to even relish in the opportunity to do so.
But there are significant differences between them, and the 'masks' that they wear. For Zev, the person he pretends to be at the masquerade is another form of the personas he wears as a sociopath, feigning social niceties and pleasantries. Who he is in Rocket is the person he truly is, the man hiding beneath the veneer of socially acceptable behavior.
Elisabeth is not a sociopath, however. Empathy is one of her core defining traits as a character; the aloof nature she wears in Rocket is her true mask, built as a way of protecting herself against potential vulnerability and silencing her own empathetic instincts. Zev has caught glimpses of the civilian mask she wears in public, but he has already begun to suspect through her friendship with ana fell that the civilian persona is closer to Elisabeth's true self than this front she wears in Rocket.
Here in the masquerade, however, Zev Harcourt meets a third aspect of who Elisabeth is -- the spiteful, vengeful black widow, crawling with resentment underneath the surface of both her facades.
Something I rarely get to openly explore about Elisabeth is the way in which her revenge has not made her happy. She has killed the man who abused her for a decade, she has burned down the manor that was her prison, she has torn apart and sold the company that her husband loved more than her, and yet despite it all, nothing in her feels satisfied. You cannot feed yourself with hate and spite and anger for a decade and expect all those feelings to vanish the moment you get the freedom you thought you wanted.
Instead, you are forced to look into the mirror and see the person you became to get that freedom, and reconcile that this is who you are now. That you are stuck with those choices, whether you want to be or not.
In this thread, Elisabeth treats Zev like one of the men she would have used in Kalos, some distraction she threw herself at as a means of getting back at her husband. She's trained herself into patterns of self-sabotage, treating her body as just another weapon in a war against a husband who feared little else she could do to him. She taunts Zev, mocks him, provokes him, and all of it gives her a brief thrill -- feeds some small aspect of that unfed vengeance that still burns within her. It's a habit she struggles to break.
Some part of her still wants revenge on a dead man, even though doing so can only ever hurt her anymore. As Zev points out however, she has no outlet. A "worthy opponent" eludes her. And it's perhaps for this reason that Elisabeth is primarily in Rocket, more than any other reason she tries to articulate: she wants something or someone to suffer, as payment for what she's suffered and endured.
She just has no outlet. Not yet.
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